Press Release & Blog

Dear Friends, Supporters, and Music Lovers,

What an incredible journey we’re about to begin together! I’m absolutely thrilled to begin my first season as Music Director of Orchestra Indiana, and to share powerful, moving, and uplifting music with the entire Muncie community and surrounding areas! This is a thrilling time for our symphony. As we look to the future, we’re reimagining what it means to be a regional orchestra in America today. And you’re an essential part of that vision.

There’s nothing quite like the magic of live music. This season, we invite you to join us at a variety of venues as we bring that magic to life, whether through beloved classics or bold new sounds. I truly believe each concert will offer something special: something to move you, to inspire you, and maybe even to bring you to your feet. Here are just a few highlights to look forward to:

• Programs that showcase the rich colors and sounds of the American symphonic tradition
• Two festive holiday concerts led by the dynamic Andrew Lipke, singer, songwriter, and conductor
• A journey into the brilliant music and art of Disney
• A unique Concert Theatre Works program that fuses the visual wonder of a live magician, dancer, and more together with intimate and virtuosic music making
• A grand season finale in a unique and stunning space on the Taylor University campus, partnering with the magnificent Taylor University Chorale

So bring a friend, bring your family, and bring your love of music. This is going to be a season to remember, and we can’t wait to experience it together with you!

With excitement and gratitude,

Yaniv Segal

Orchestra Indiana has announced Yaniv Segal as its new Principal Conductor and Artistic Director. Segal, who has extensive experience as a conductor, violinist, actor, and composer, will begin Artistic Director duties immediately and will conduct most of the concerts next season.

Ranging from performing and singing at the Metropolitan Opera and touring in a Broadway show as a child, to composing multiple major works and conducting orchestras across the United States and world, Segal brings his talent and reimagined vision for what orchestra and the arts can do for a community.

“We were looking for a visionary leader, not just a conductor,” Orchestra Indiana Board President Bill Reece said. “Someone who not only has the technical skills to conduct an orchestra, but an artist that has the vision and ability to transform what the orchestra experience typically is. Someone who will build on our orchestral foundation and help us evolve into a groundbreaking, broad-based arts organization throughout east central Indiana.  Whether it is blending symphony with rap, collaborating with a wide range of creators from mural artists to performance artists, or bringing orchestra back into schools, Yaniv is the ideal person to lead the way.  And, of course, he will continue to build on the core excellence of our classical music performances that the Muncie Symphony and Marion Philharmonic have been delivering for over 75 years.”

Born from the union of the Muncie Symphony and Marion Philharmonic, Orchestra Indiana aims to enrich communities with innovative concert experiences. In 2025, Segal and Orchestra Indiana will feature a concert with a rap artist, performances in city parks throughout the summer in partnership with the City of Muncie, a Labor Day concert, a magician performing with live music, and six mainstage events between October this year and May 2026.

“Regional orchestras are at a crossroads,” Segal said. “Symphonic music and putting on concerts alone isn’t enough of a presence any longer. Orchestras have to take more of a meet-the-people-where-they-are approach now. There’s a real opportunity with Orchestra Indiana to shape what an orchestra and the arts look like. My goal is to conduct inspiring concerts while increasing the visibility of the organization and the arts in general. I have lots of ideas and I’m looking forward to seeing what we can experiment with and bring to the community.”

In 2013, Segal completed graduate degrees in conducting and composition at the University of Michigan with renowned conducting pedagogue Kenneth Kiesler and MacArthur Award winning composer Bright Sheng, and with support from the Paul and Daisy Soros Fellowship for New Americans.

Segal, who is a first-generation American who grew up in New York City and currently lives in Ann Arbor, Michigan, is also Music Director of the Salina Symphony, Conductor of the Macon-Mercer Symphony Orchestra, and Musical Artistic Director and co-creator of American Patriots, a new theatrical song cycle examining patriotism and the current lived American experience from Indigenous, Black, white working class, and New American perspectives.

We are proud to announce that Orchestra Indiana and Hillcroft Services’ Reliable Transit Division have once again partnered together for the 2022-23 season to provide FREE shuttle service for OI patrons in need of additional assistance to and from the two main parking lots and the handicap lot that feed Emens Auditorium.

Shuttle service will be offered to and from the McKinley Avenue Parking Garage, the New York Street Parking Garage, and the Handicap Lot on the corner of Riverside Ave. and Dicks St. starting one hour prior to show time and will resume immediately following the conclusion of the show for 30 minutes. We hope that this service will be beneficial for any OI patrons who may need additional assistance to and from the parking facilities.

It depends on the concert and on the age of your kids. Many standard-length classical concerts may be difficult for small children because they require an attention span that may be beyond what a child can maintain. Our free community concerts and Education Concerts are a great way for families (including children of all ages) to enjoy classical music together. Your kids or grandkids may also enjoy the concerts in our Indiana Trust Pops Series, which include a holiday concert, movie music, and more!

To further build your children’s interest in classical music, play classical music at home or in the car. When they are old enough to sit quietly for an extended period, you may wish to bring them to the first half of a Classical concert. In all cases, it’s a good idea to check with the orchestra directly about the appropriateness of the concert you plan to attend with your kids. And don’t forget that children in grades K-12 can get free tickets to our subscription concerts!

Where and when do Orchestra Indiana concerts take place?
All Muncie subscription concerts will be held in Emens Auditorium on Ball State Campus. Marion subscription concerts and free community concerts occur at a variety of different locations. Visit the “Upcoming Events” page for detailed information about concert locations and start times.

Is there a shuttle service from the parking garages to Emens?
Yes, for all concerts held in Emens Auditorium, we are again offering a shuttle service to and from the parking garages this season. Find out more here.

What is classical music?
The term “classical music” can be problematic. Music history refers to the years from roughly 1750 to 1825 as the “Classical” period, when Haydn, Mozart, and Beethoven achieved their glory. But in a broader sense, the term classical music is used to describe the continuing heritage of music mostly written to be performed in concert halls by orchestras, singers, choruses, chamber ensembles, and solo instrumentalists.

I’ve never been to an orchestra concert before. What should I expect?
Expect to enjoy yourself! This is the time to let go of any preconceptions you may have about classical music or the concert experience. Some things about the concert may seem strange because they’re new to you, but if you just focus on the music, you’ll have a great time. Open yourself up to the music. Feel the rhythms; follow the tunes. Watch the musicians and the conductor; see how they interact with each other. Notice how the music ebbs and flows – surging and powerful at some times, delicate and ephemeral at others.

What if I don’t know anything about classical music? Do I need to study beforehand?
There’s no need to study. The music will speak for itself. Just come and enjoy it! Over time, many frequent concertgoers do find their enjoyment is deeper if they prepare for a concert. This can be simple, like reading the program notes beforehand; or it can be more involved, like listening to recordings of the music to be performed in the days before they attend a concert. Pre-Concert Lectures take place before select concerts and provide an insightful and informative introduction to the pieces on the program for those concertgoers who would like more background about the music they’re about to hear! Check the details of upcoming events to find when the next Pre-Concert Lecture is happening.

Will I enjoy the concert?
Live music is amazing! And, odds are, you’ll recognize some of the music. Many of today’s popular songs, television shows, video games, and movies include classical music, like the Lone Ranger theme (Rossini’s William Tell Overture), the Bugs Bunny cartoon “What’s Opera, Doc?” (Wagner’s Ride of the Valkyries), Call of Duty (Mozart’s Dies Irae), and many more.
You’ll notice that each classical piece uses its own group of several tunes over and over, in different ways. You’ll start to “recognize” these melodies as a work progresses. Listen for the ways a melody is repeated: Is it exactly the same as the first time, or with a different character? Does it start the same as before, but go off in a different direction?

What should I wear?
There is no dress code! Anything that makes you feel comfortable is fine. Some people will be wearing business clothes or slightly dressy casual clothes, and you’ll see everything from jeans to dresses. Some people enjoy dressing up and making a special night of it. If you do decide to dress up, though, go easy on the cologne. It can distract others near you and even prompt them to sneeze (which may distract you).

Should I arrive early?
Plan to arrive anywhere from 10-30 minutes before concert time, so you can find your seat, silence off your cell phone, take a look at your surroundings, absorb the atmosphere, and have time to glance through the program book, too. Most concerts start on time. If you’re late, you may end up listening from the lobby! If that happens, the usher will allow you inside during a suitable pause in the program, so your arrival won’t disturb other concertgoers. Don’t forget the Pre-Concert Lectures before select concerts.

How long is the concert?
Most subscription concerts are 90 minutes to two hours long (usually including an intermission). Free community concerts and family concerts usually range from one hour to 90 minutes.

Can I take pictures?
Cameras, video recorders, or other recording equipment are NOT permitted in concerts. Phone calls, phone alarms, and texting during the performance can be distracting to the audience members around you or even to the musicians, so please remember to silence your phone and put it away before the concert begins.

When should I clap?
Generally, it is considered proper concert etiquette to clap only after a piece is complete. Just like books have chapters and TV series have episodes, many orchestral pieces are divided into multiple sections called movements. Each movement can stand alone but contributes cohesively to the entire piece. Generally there are very brief pauses in between each movement, and the audience applauds at the conclusion of the work. You can tell how many movements a piece has by looking at your program. For example:

Symphony No. 1 by Ludwig van Beethoven
I. Adagio molto – Allegro con brio
II. Andante cantabile con moto
III. Menuetto: Allegro molto e vivace
IV. Adagio – Allegro molto e vivace

This symphony by Beethoven has four movements, so we can expect pauses between each movement and applause at the end of the last movement. Movement titles are often Italian terms for how fast the tempo will be or other characteristics. If you lose track of where the piece is, you can always wait for the rest of the audience to clap before applauding. Another good sign is when the conductor either turns around or steps off the podium.

Will there be an intermission, and what should I do during it?
Most subscription concerts will have a 15-20 minute intermission. Check your program or ask an Orchestra Indiana staff member in the lobby. Just as the musicians will need to take a break, you may use the time to visit the restroom or socialize. Select concerts may have refreshments available in the lobby during intermission (or before the show).

Can I bring my kids?
It depends on the concert and on the age of your kids. Many standard-length classical concerts may be difficult for small children because they require an attention span that may be beyond what a child can maintain. Our Free Community Concerts and Education Concerts are a great way for families (including children of all ages) to enjoy classical music together. To further build your children’s interest in classical music, play classical music at home or in the car. When they are old enough to sit quietly for an extended period, you may wish to bring them to the first half of a Classical concert. In all cases, it’s a good idea to check with the orchestra directly about the appropriateness of the concert you plan to attend with your kids. Children in grades K-12 can get free tickets to our subscription concerts!

Why are the musicians onstage playing before the concert begins?
Just like athletes warming up before a game, musicians need to warm up their muscles and focus their concentration. Some of them are working on the passages they need to polish up before the performance, with no regard for what anyone else is practicing.

Why do the musicians wear formal black clothes?
This is a long tradition that started centuries ago. Sometimes musicians dress a little more casually, but they still try to look similar, so that the audience can concentrate on the music. Soloists are the exception: they often dress differently, because they are the focus of attention.

Why are there are more stringed instruments than anything else?
The sound of each individual stringed instrument is softer than a brass or woodwind instrument. But in large numbers, they make a magnificent, rich sound.

Why do the string players share stands?
Fewer stands mean that the musicians, who are moving around quite a bit, have more room to play freely. Also, because the strings play more continuously than the other instruments, their page turns can fall in inconvenient places where there should be no break in the music. The musician on the inside seat turns pages while the musician on the outside seat continues to play.

Why do their bows move together?
The players within each string section – first violins, second violins, violas, cellos, and double basses – are usually playing the same part, so it’s essential that they sound as one. Each type of bow movement produces a different sound, so each string section sounds more unified when the players use the same bow motion.

What does the concertmaster do?
The concertmaster sits in the first chair of the first violins. He or she acts as the leader of that section but also plays a leadership role with the orchestra as a whole. He or she is also the last orchestra member to enter the stage before a concert and cues the oboe to “tune” the orchestra.

Why do all the musicians tune to the oboe?
The penetrating tone of the oboe is easy for all players to hear. And its ability to sustain pitch is very secure. The oboe plays the note “A,” and all the players make sure their “A” is exactly on the same pitch as the oboe’s “A.” This ensures that they all are on the same pitch before the concert begins.

Why does Maestro leave after most pieces of music?
This provides the conductor a little breather – a chance to collect his or her thoughts before starting the next piece. If the applause is very enthusiastic, the conductor will come onstage again, bow, and perhaps recognize some musicians who played important solos in the piece.

Why don’t the musicians smile while they play?
Look closely and you’ll see that some of them do! But in general, they are concentrating deeply, just like outfielders waiting for the fly ball or pitchers winding up to a curveball. They’re “in the zone.” Some musicians “feel” the music and move in their chairs or move their heads. After the music is over, you may see them smiling broadly. If it was a concerto, and they liked the soloist’s performance, they won’t just smile – the string players will tap their stands with their bows as a sign of appreciation and others will stomp their feet.

A symphony orchestra is a collection of up to about 100 musicians who play instruments of four basic types: strings, woodwinds, brass, and percussion. Click on the hyperlinks for each instrument to hear an Orchestra Indiana musician play and discuss each instrument.

1. Strings – violins (smallest, and highest in pitch), violas, cellos, and double basses (largest and lowest in pitch). These players sit in a semicircle directly in front of the conductor and make up more than half the orchestra. The harp is also a string instrument, although it looks very different from the other strings. The harp player usually sits behind the violin sections.
2. Woodwinds – flutes, oboes, clarinets, and bassoons. These players sit a few rows back from the conductor, in the center of the orchestra. You may sometimes see closely related instruments being played alongside these instruments. Each of the woodwind instruments has “cousins” that may be smaller, like the piccolo, or larger, like the English horn, bass clarinet, and contrabassoon.
3. Brass – trumpets, horns, trombones, and tubas. These instruments are the loudest, so you’ll see them in the rear of the orchestra.
4. Percussion – drums, bells, tambourines, chimes, symbols, woodblocks, and sometimes odd things such as hubcaps that are struck, plucked, rubbed, etc. This includes the timpani, xylophone, and marimba. Some works use lots of different percussion; others may have a single musician playing the timpani, or no percussion at all. The percussion section is at the back of the orchestra because percussionists often play more than one instrument and need space to move from one to the other during the concert. Although the piano is really a keyboard instrument, not percussion, it is occasionally used in the orchestra and will usually be located towards the back of the orchestra, near the percussion.